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Unknown Pleasures

Joy Division

Type

Graphic design

Description

The lines on the front of Unknown Pleasures are data. They plot successive radio pulses from CP 1919, the first pulsar ever discovered, stacked one above another so that they look like a mountain range. Radio astronomer Harold Craft made the plot at the Arecibo Observatory for his 1970 doctoral thesis. It later appeared in The Cambridge Encyclopaedia of Astronomy, where Joy Division found it. Accounts differ on whether Bernard Sumner or Stephen Morris picked it out.

The band gave the image to Peter Saville, who had been designing posters for Manchester's Factory club. Saville made one decisive change. The original printed black lines on white, and the band said they preferred it that way, but Saville reversed it to white on black. "I was afraid it might look a little cheap," he explained, adding that he was "convinced that it was just sexier in black." The first pressings were printed on textured card, which made the stark image feel like a physical object. The band's name and the title appear nowhere on the front.

For years Craft had no idea his thesis plot had become a post-punk emblem, until a friend told him; he later bought a copy of the record. The image outgrew the album. It was adopted by goth fans in the late 1980s and has since appeared on clothing by Raf Simons and Supreme, and Vince Staples built a 2015 album cover on it.

Credit

Design by Peter Saville and Chris Mathan; pulsar plot by Harold D. Craft Jr., reproduced from The Cambridge Encyclopaedia of Astronomy

  • Type

    Graphic design

    Description

    The lines on the front of Unknown Pleasures are data. They plot successive radio pulses from CP 1919, the first pulsar ever discovered, stacked one above another so that they look like a mountain range. Radio astronomer Harold Craft made the plot at the Arecibo Observatory for his 1970 doctoral thesis. It later appeared in The Cambridge Encyclopaedia of Astronomy, where Joy Division found it. Accounts differ on whether Bernard Sumner or Stephen Morris picked it out.

    The band gave the image to Peter Saville, who had been designing posters for Manchester's Factory club. Saville made one decisive change. The original printed black lines on white, and the band said they preferred it that way, but Saville reversed it to white on black. "I was afraid it might look a little cheap," he explained, adding that he was "convinced that it was just sexier in black." The first pressings were printed on textured card, which made the stark image feel like a physical object. The band's name and the title appear nowhere on the front.

    For years Craft had no idea his thesis plot had become a post-punk emblem, until a friend told him; he later bought a copy of the record. The image outgrew the album. It was adopted by goth fans in the late 1980s and has since appeared on clothing by Raf Simons and Supreme, and Vince Staples built a 2015 album cover on it.

    Credit

    Design by Peter Saville and Chris Mathan; pulsar plot by Harold D. Craft Jr., reproduced from The Cambridge Encyclopaedia of Astronomy

  • Artist

    Joy Division

    Genre

    Rock

    Label

    Factory Records

    Country of Release

    United Kingdom

    Year

    1979

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